As of the latest session, AMAT is trading at $536.25 (+0% on the day). Today's options tape is leaning mixed — call volume is 51% of total contracts (7K calls vs 7K puts, a 1.04× call/put ratio). The most active contract is the $395 PUT expiring 2026-07-31 on 1K contracts.
The AMAT options tape is mixed right now — call and put volume are close (51% calls), so there's no decisive directional lean from the flow yet. Mixed tapes tend to resolve once one side starts sweeping the ask on real size.
New to reading flow? Volume vs open interest → · What is implied volatility → · Sweeps vs blocks →
Options flow shows where real money is positioning before a move. A bullish lean (heavy call volume, high call/put ratio, sweeps bought at the ask) means traders are paying up for upside; a bearish lean is the reverse. The largest, most-aggressive prints — sweeps filled across exchanges at the ask — carry the most signal. On the AlgoX conviction desk, AMAT is scored live against net premium, relative volume, momentum and the biggest sweep of the day.
Based on the latest session, AMAT flow is leaning mixed — calls are 51% of total options volume, a 1.04× call/put ratio. Flow lean is a positioning signal, not a guarantee of direction.
AMAT's call/put ratio is currently 1.04× — 7K call contracts versus 7K put contracts. Above 1 means more call than put volume (often bullish); below 1 means puts dominate.
The most-active AMAT contract in the latest snapshot is the $395 PUT expiring 2026-07-31, trading 1K contracts.
Unusual options activity in AMAT means volume well above normal — especially large blocks or sweeps bought at the ask. Those aggressive, urgent prints carry the most signal, and they're exactly what the AlgoX conviction desk flags in real time.
The full conviction board ranks AMAT and the whole tape in real time — with the exact contract the smart money is buying. Top flow is free to watch in the Discord.
Data via Polygon · refreshes through the session · educational, not financial advice · options carry substantial risk.
